BONK Price Prediction: Price and Volume Both Jump – Do Insiders Know Something?

The post Cashing In On University Patents Means Giving Up On Our Innovation Future appeared on BitcoinEthereumNews.com. “It’s a raid on American innovation that would deliver pennies to the Treasury while kneecapping the very engine of our economic and medical progress,” writes Pipes. Getty Images Washington is addicted to taxing success. Now, Commerce Secretary Howard Lutnick is floating a plan to skim half the patent earnings from inventions developed at universities with federal funding. It’s being sold as a way to shore up programs like Social Security. In reality, it’s a raid on American innovation that would deliver pennies to the Treasury while kneecapping the very engine of our economic and medical progress. Yes, taxpayer dollars support early-stage research. But the real payoff comes later—in the jobs created, cures discovered, and industries launched when universities and private industry turn those discoveries into real products. By comparison, the sums at stake in patent licensing are trivial. Universities collectively earn only about $3.6 billion annually in patent income—less than the federal government spends on Social Security in a single day. Even confiscating half would barely register against a $6 trillion federal budget. And yet the damage from such a policy would be anything but trivial. The true return on taxpayer investment isn’t in licensing checks sent to Washington, but in the downstream economic activity that federally supported research unleashes. Thanks to the bipartisan Bayh-Dole Act of 1980, universities and private industry have powerful incentives to translate early-stage discoveries into real-world products. Before Bayh-Dole, the government hoarded patents from federally funded research, and fewer than 5% were ever licensed. Once universities could own and license their own inventions, innovation exploded. The result has been one of the best returns on investment in government history. Since 1996, university research has added nearly $2 trillion to U.S. industrial output, supported 6.5 million jobs, and launched more than 19,000 startups. Those companies pay…

Presale crypto tokens have become some of the most active areas in Web3, offering early access to projects that blend culture, finance, and technology. Investors are constantly searching for the best crypto presale to buy right now, comparing new token presales across different niches. MAXI DOGE has gained attention for its meme-driven energy, but early [...] The post MAXI DOGE Holders Diversify into $GGs for Fast-Growth 2025 Crypto Presale Opportunities appeared first on Blockonomi.

The post Spanish Thriller ‘Billionaires’ Bunker’ Hits No. 1 On Netflix appeared on BitcoinEthereumNews.com. L to R: Carlos Santos as Rafa, Joaquín Furriel as Guillermo, Pau Simon as Max in the first episode, titled “Atomic Monkeys.” NETFLIX/Emilio Pereda Billionaires’ Bunker (​El refugio atómico), a tale of wealthy elites hunkering down in a secret luxur​y bunker​ amid the rising threat of a nuclear war, sharing the underground safe haven with people they despise, shot to the number one on Netflix’s Global Top 10 non-English shows. The eight-episode thriller​ captured 10.3 million views in its second week​. It got a major bump from its debut week, when it attracted 3.7 million views. Audiences tuned in to see how a group of 45 families navigate survival in the Kimera Underground Park. Set 1,000 feet below a lake, the fallout shelter becomes a pressure cooker for personal dramas and long-simmering conflicts. The series taps into a compelling premise: what happens when the ultra-​r​ich secure protection from world-ending catastrophe that others can​’t access, only to discover the​y’re trapped in a golden cage with its own horrors. Creators Álex Pina and Esther Martínez Lobato, the masterminds behind global phenomenon Money Heist (La Casa de Papel), have crafted another Spanish hit examining how extreme wealth warps human behavior. Their latest explores privilege and moral compromise when civilization collapses. Creators Álex Pina and Esther Martínez Lobato have crafted another Spanish-language hit that examines how extreme wealth corrupts the human psyche​ amid an unthinkable end-of-the-world scenario, exploring privilege, survival, and the moral compromises wealth enables when civilization collapses. For the protagonists, what ​b​egins as a temporary safety measure becomes a nightmare​ when Spain’s wealthiest elites watch helplessly as ​nuclear bombs detonate and the surface world burns while they remain trapped together underground. The cast includes Pau Simon (Nudes) as Max, Miren Ibarguren (Phenomena) as Minerva, Alícia Falcó (In the Company of Women) as…